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Theatre Reviews

REVIEW: The Father and the Assassin, Olivier Theatre – National Theatre (2022)

Paul Bazely (Mohandas Gandhi) and Shubham Saraf (Nathuram Godse) in The Father and the Assassin
Photo Credit: Marc Brenner

Plays 12 May – 18 June 2022 at the National Theatre, London
Press Night: 28 May 2022

Indhu Rubasingham’s direction of the beautiful production of The Father and the Assassin brings to the stage a rather important piece of history – the partition of British India and its aftermath for the Indian subcontinent- whilst also delving into a deeper, more personal narrative surrounding Nathuram Godse, who you may or may not know as the assassinator of Gandhi.

To be blunt, I would never have imagined being charm the socks off by an assassin but in this piece, I had to continually remind myself that this person did indeed kill another human being. The play is imaginative, with writer Anupama Chandrasekhar’s work being sensitive, sharp and sound throughout. The writing – for an epic story of a grand scale – matches the stage perfectly for which is it set, and fills it with heartwarming dialogue, but also ice-cold dramatic tension on several occasions. I personally loved how the character of Godse (performed effortlessly by Shubham Saraf) broke the fourth wall – especially with the opening five minutes and the audience’s first interaction with the assassin – I was entranced by his ability to command the stage. Some great performances by Marc Elliot and Irvine Iqbal as the Nehru and Muhammad Ali Jinnah respectively; the way Paul Barely creates Gandhi’s character as unique and not overwrought also made this particularly enjoyable.

I never thought I’d ever feel sympathy for a murderer, not least the assassinator of such a renowned global figure. This piece manages to weave a picture/vignettes of history, and simultaneously look to tackle deeper and more disturbing ways in which individuals are radicalised (from non-violent to violent movements), and which sadly can be seen in our wider global society to this day. I’d perhaps only cut this by a mere ten minutes in the first act, but otherwise this was a stellar performance; it still made me feel emotions, and taken on a collective ride as an audience member throughout.

The Father and the Assassin is a lesson in how to bring an important part of history to life on the stage, and in ways that make you think about the piece long after you’ve seen it on stage.

⭐️⭐️⭐️⭐️/5

Access performances are as follows:
Audio Described performance: Saturday 11 June at 2pm with a Touch Tour at 12:30pm
BLS Interpreted performance: Friday 10 June at 7:30pm
Captioned performance: Saturday 4 June at 2pm
Smart Captioned glasses from Tuesday 24 May

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