It’s been a hot moment since I was last at the Almeida theatre to see some Shakespeare (Romeo and Juliet), so when I was asked to review a play by an Irish playwright Marina Carr – I leapt at the chance. I know that the writing from some of my favourite Irish writers, namely Martin McDonagh and Eavan Boland, carry a tradition of searing pieces of domestic work that stir intense feelings. This play was not short of that.
There’s a wolf tooth growin in me heart and it’s turnin me from everywan and everthin I am.
A young woman unravelling.
A twin reappearing.
A family torn asunder by the living and the dead.
This play focuses on the titular character Portia’s birthday. However, it’s not a day for song and dance; she is a deeply damaged individual and who is tormented by a dark reality. Her dead twin brother Gabriel, who disappeared into the Belmont River never to return, haunts her (where have we seen that before, I wonder).
Alison Oliver’s performance in this is bleak play is truly a revelation; I was hooked by the action on stage, and mostly let by Oliver’s titular character. Another highlight in this performance includes Archee Aitch Wylie who performs as Gabriel in such a hauntingly stunning manner. I loved their singing, which enhanced this show in great measures. The music and lyrics by Maimuna Menon – soon to be performing at the Southwark Playhouse and recently completed a turn in the National Theatre’s Standing at the Sky’s End – elevates the production and brings a high production value.
Carrie Cracknell’s direction for the family drama was exceptional, with the scenes that occurred outside expoed via the brickwork. These were done with clarity, a sharp focus and I was engaged throughout the show.
The lush set is effective in mirroring the landlocked George of County Offaly where Portia Coughlan is set. It’s mesmerising and grotesque in equal measures. I should add that the play deals with some very, very brutal and harrowing issues therefore I’d highly advise to read the content warnings. There are shocks, which do not come as a complete surprise but the narrative layering is unique and confident.
Finally, I can confirm that the Almeida’s programming continues to be strong with this Irish play. Whilst this isn’t the most cheery of plays, it’s one that denotes the complex and distinguished rural Irish Midlands; a far cry from the comfort of this north London playhouse, it will be something that I’ll be thinking about and which has piqued my interest to visit more of the ROI.
Until Sat 18 Nov 2023 only.
Tickets: https://almeida.co.uk/calendar/?e=portia-coughlan
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