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Theatre Casting News

CASTING NEWS: MEAN GIRLS: The Musical cast announced for Savoy Theatre run – starring Lucca Chadwick-Patel, Grace Mouat, Aka Mitchell and more!

Get in, losers, MEAN GIRLS *is* coming to London!

The producers of the forthconibgn screen-to-stage adaptation of MEAN GIRLS in the West End – Lorne Michaels, Sonia Friedman Productions, and David Ian for Crossroads Live –  are delighted to announce the full cast and creative team . The musical comedy (based on the Paramount Pictures film of the same name which was released 20 years ago this April) will debut at the West End’s Savoy Theatre on 5 June 2024.

Lucca Chadwick-Patel (MAMMA MIA!, Legally Blonde, My Beautiful Laundrette) as Kevin Ganatra, captain of ‘The Mathletes’. Daniel Bravo (Cruel Intentions, Witness for the Prosecution) takes on the role of Aaron Samuels ‘one of the most popular guys’ at North Shore High.

Charlie Burn (Les Misérables, Disney100 UK tour) will play Cady Heron who after growing up in the African savanna returns to suburban Illinois and joins North Shore High. The Plastics are Georgina Castle (Dirty Dancing, Elf the Musical) as the charming but ruthless Regina George, with Elèna Gyasi (SIX – UK tour, Treason the Musical – UK tour) as Gretchen Wieners and Grace Mouat (Before After, The Great British Bake Off Musical) as Karen Smith.

Elena Skye (Les Misérables, Kinky Boots) and Tom Xander (A Midsummer Night’s Dream, The Book of Mormon) play best friends Janis Sarkisian and Damian Hubbard.

Ako Mitchell (The Sound of Music, Black Superhero) will play North Shore Principal Mr Duvall, while Ms Norbury – the role originated in the 2004 film by MEAN GIRLS creator Tina Fey – will be played by Zoë Rainey (Made in Dagenham, An American in Paris) who also plays the roles of Mrs George and Ms Heron.

They are joined by Tia Antoine-Charles, Georgia Arron, Liam Buckland, Shonah Buwu, Baylie Carson, Freddie Clements, Siobhan Diffin, Clíona Flynn, Fergie Fraser, Angus Good, Jenny Huxley-Golden, Holly Liburd, Corey Mitchell, Mervin Noronha, Aharon Rayner, Trézel Sergeant, Josh Singleton, Annie Southall, Lillia Squires, Tommy Wade-Smith and Holly Willock.

It’s gonna be a little bit dramatic…

Broadway’s hilarious hit musical from an award-winning creative team including writer Tina Fey (“30 Rock”), composer Jeff Richmond (“Unbreakable Kimmy Schmidt”), lyricist Nell Benjamin (Legally Blonde) and director and choreographer Casey Nicholaw (The Book of Mormon), opens at the Savoy Theatre this summer.

Meet The Plastics –Regina, Gretchen and Karen. They rule North Shore High and will burn anyone who gets in their way. Home-schooled Cady Heron may think she knows a thing or two about survival of the fittest thanks to her zoologist parents, but high school is a whole new level of savage. When Cady devises a plan to end Regina’s reign, she learns the hard way that you can’t cross a queen bee without getting stung.

Expect iconic characters, razor-sharp wit, and killer songs. Grab your friends and your cool mom, this is going to be fetch – and YES London, we’re making it happen!

The reign begins June 2024. If you want to sit with us, book your tickets and don’t forget… on Wednesdays, we wear pink.

Joining the award-winning creative team for MEAN GIRLS in the West End are Scott Pask – Scenic Design, Katrina Lindsay – Costume Design, Kenneth Posner -Lighting Design, Brian Ronan – Sound Design, Finn Ross and Adam Young – Video Design, Josh Marquette – Hair Design, Mary-Mitchell Campbell – Musical Supervision, and Natalie Gallacher for Pippa Ailion and Natalie Gallacher Casting – Casting.

MEAN GIRLS is now booking to 16 February 2025 with over 45,000 tickets at £40 and under, and over 140,000 just-released tickets available. The access performances currently on sale are as follows – Audio Described on Saturday 7 September at 2.30pm, Captioned Performance on Saturday 14 September at 2.30pm and British Sign Language on Saturday 21 September at 2.30pm.

MEAN GIRLS had its world premiere in 2017 at the National Theatre in Washington, D.C and opened on Broadway in April 2018 at the August Wilson Theatre to ecstatic responses, where it played to packed houses. The show then went on a hugely successful US tour in 2019 and is currently on its second US tour. The MEAN GIRLS musical film adaptation from Paramount Pictures was released globally in cinemas in January 2024 and was the #1 film at the Box Office in multiple countries including the UK and US.

Originally released in 2004, 20 years ago this April, MEAN GIRLS has had a profound impact on pop-culture for nearly 20 years. Tina Fey’s hilarious and relatable portrayal of high school life struck a chord with audiences across the globe and the film’s whip-smart satire, iconic catchphrases, and unforgettable characters made it a phenomenon that remains a cultural touchstone to this day.

Working with ATG’s Creative Learning Department, MEAN GIRLS will be providing a selection of matinees for schools and community groups who otherwise may not be able to access the show.  To complement this, workshops and Q&As will be made available to these groups that centre around anti-bullying and empowerment. A weekly ticket access scheme will also be announced closer to performances.

Categories
Theatre News

THEATRE NEWS: Next To Normal set for 2024 London West End Transfer to Wyndham’s Theatre

The lauded Donmar Warehouse production of the Broadway musical (Tom Kitt/Brian Yorkey) Next to Normal – which sold every seat at every performance across its season at the producing house based in Seven Dial (and where it also made its long-awaited UK Premiere) – has announced a transfer to London’s West End in 2024.

For a strictly limited 14-week season (will begin performances at Wyndham’s Theatre on Tuesday 18 June 2024.

When the landmark musical debuted on Broadway in 2010, Ben Brantley of The New York Times called it “Brave and breathtaking. It is something much more than a feel-good musical; it is a feel-everything musical.” And Peter Marks of The Washington Post called it “a moving, blisteringly honest, and inordinately powerful new musical stocked with beautiful songs that get to the heart of the story – and simply get to the heart.” Next to Normal went on to win three Tony Awards, including Best Original Score, as well as the Pulitzer Prize for Drama, one of only 10 musicals in history to receive the prestigious honour.

Next To Normal is an intimate exploration of family and illness, loss and grief. At its heart is Diana Goodman, a suburban wife and mother living with bipolar disorder and haunted by her past. Donmar Artistic Director Michael Longhurst directs this powerful rock musical, which include the following songs: “I’m Alive” and “I Miss The Mountains”.

Tickets go on priority on sale on Monday 27 November – sign up at www.nexttonormal.com. General tickets will go on sale Friday 1 December.

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Theatre Reviews

REVIEW: Linck & Mülhahn ⭐️⭐️⭐️📍Hampstead Theatre

A play based on the real-life tale of a gender-queer couple in 18th-century Prussia can be described as a hilarity-inducing, moving, and at times jarring.


Linck & Mulhahn by Ruby Thomas ; Cast: Maggie Bain, Helena Wilson, Lucy Black, Daniel Abbott, David Carr, Marty Cruikshank, Kammy Darweish, Qasim Mahmood, Leigh Quinn and Timothy Speyer ; Hampstead Theatre ; Credit and copyright: Helen Murray www.helenmurrayphotos.com

 


 

 

 

 

 

 

 



I’ll admit it: I’m a big fan of whatever the Hampstead Theatre producing team offer, despite the news of big changes in December 2022 with Arts Council funding being slashed meaning the the artistic director Roxana Silbert was to step down.

It is, after all, the place where the 2018 London revival of Tony Kushner’s Caroline, or Change debuted (starring the tour de force that is Sharon D Clarke which transferred to the West End and subsequently appeared on Broadway, prior to suspended production due to COVID-19, but did eventually reopen in Jan 2022); simply put, the theatre excelled in its authentic narratives of  under-represented stories as we also saw last year with Pooja Ghai’s erudite and simply breathtaking Lotus Beauty.

However, after a jerky start to 2023’s Spring season with last month’s show (The Art of the Illusion) in the downstairs space, it would appear that the main stage also hasn’t quite found its footing with the world premiere of Ruby Thomas’ Linck & Mülhahn.

It follows the tale of two lovers looking to live beyond the confines of eighteenth-century society. On the one hand we have Anastasius Linck (played by Maggie Bain), who has deserted the army and is eventually sentenced to death for charges related to sodomy. Note: if you want to know a story of queer joy, I would send you elsewhere for this production’s second act is rife with misgendering (typical of its time, I should add), and may make some from the community discussed at unease as a result of this. Maggie Bain elaborates on the matter on a recent Instagram post in the lead up to Press Night after Theatre Queers Meet Up expressed concern on Twitter.

Linck & Mulhahn by Ruby Thomas ; Credit and copyright: Helen Murray www.helenmurrayphotos.com

Returning to the action on stage, the love interest is played convincingly by Helena Wilson. The outfits are of period costume nature and leave something new desired as it appears to be over-kill with recent productions seemingly unable to bring fresh ideas (given the modern sound of The Clash feature during scene changes); alas, when it comes to costume departments there’s nothing of the sort which is a peculiar choice in all honesty.

As the action moves on and in the second half, there’s some brilliant performances (especially in the comedic timing). Qasim Mahmoud and Sammy Darweish turn in brilliant performances, with their comedic timing prompting unanimous bellows of laughter.

This production excels when the love between the titular characters is at the forefront, as Maggie Bain and Helena Wilson brilliantly portray the anguish of longing for and finding something unobtainable in your world. The set design (credit Simon Wells) uses the revolve for some impressive scene transitions, though not entirely smooth, with at times jarring sounds.

It doesn’t do much other than that, and I wonder if it felt a little rushed at times, and the relevance of certain character attributes (the inclusion of the bowl of peaches during scenes with Catherina and her mother) a little too discreet. Further, the sound is jarring when it shifts scenes; this, along with the clumsy set changes often induces cringe-worthy moments in an otherwise engaging production.

Linck & Mulhahn by Ruby Thomas ; Credit and copyright: Helen Murray www.helenmurrayphotos.com

It is, after all, an intriguing story and I am glad it exists. But one must address the overall execution as well as the very legitimate concerns of Transparency (from those who voiced their legitimate concerns) for future productions from other producing houses;  going forward, given that it was left to the only Queer person to address these in their own time and within a personal capacity, Creative teams really ought to do better when making it clear how Queer people’s stories are to told.

To conclude, this piece does what the writer wants it to do: to show that queer people have always existed, and I’m looking forward to more of these stories for audiences to broaden their learnings on marginalised groups.

Listing information: Until 4 March 2023:

MAIN STAGE – WORLD PREMIERE 

LINCK & MÜLHAHN
By Ruby Thomas

Directed by Owen Horsley 

Designer Simon Wells 

Lighting Designer Matt Daw 

Sound Designer Max Pappenheim 

Casting Director Helena Palmer 

Assistant Director Dewi Johnson

Cast Daniel AbbottMaggie Bains, Lucy Black, David CarrMarty CruickshankKammy DarweishQasim MahmoodLeigh QuinnTimothy Speyer and Helena Wilson. 

Address: Hampstead Theatre, Eton Avenue, London, NW3 3EU

Box Office: 020 7722 9301 (Mon – Sat 10.30am – 7pm) hampsteadtheatre.com 

Dates: Friday 27 January 2023 – Saturday 4 March 2023

Audio Described Performance: Saturday 25 February at 2.30pm with a Touch Tour at 1pm

Captioned Performance: Tuesday 28 February at 7.30pm