The official theatre describes the story as follows:
Which is enough to reveal that it is a domestic drama, brought to life with the recent governments’ hostile undertakings of Muslims via the Prevent project. It truly did resonate with me, and felt almost too real at times. Zainab Hasan played the lead role of Antigone, and Tony Jayawardena played Antigone’s uncle, Creon. Both brought excellent performances, and were really impressive in their abilities to captivate every single audience member with their acting.
It was really interesting to see this show, after the new Liz Truss government of high-ranking politicians of colour were announced (Braverman, Kwarteng et al.). The two actors seamlessly showed conviction and a real undertaking of the overall production – erudite as it was a watch on both sides of the intermission – which was clear-sighted under both Max Webster and Jo Tyabji’s direction.
I must admit, I wasn’t expecting to be blown away by the set but this production’s must have to be commended. The blocks in pink that spell “ANTIGONE” in graffiti was such a clever move, and the lighting at times really lifted this piece. I am so glad to have been able to watch this; not least as I know that this production once again reaffirms that we need more stories that reflect more of our society. I wonder when the next show that’ll features Wudhu (ablution ritual) will be. Until then, I’ll be thankful to have been able to have seen this depiction of the renowned work by Sophocles.
On until 24 September.
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